By this time her paintings, developed from the influences of Cubism and Italian Futurism, and took an entirely original departure into pure abstraction in which the composition is organised by the visual weight and relationship of colour. In 1916 she married Aleksei Kruchenykh and joined the group of Russian avant-garde artists Supremus that was led by Kazimir Malevich. Other Russian artists featured in the exhibition included Alexander Archipenko, Nikolai Kulbin, and Aleksandra Ekster. Rozanova later exhibited four works in the First Free International Futurist Exhibition in Rome, which took place from April 13 to May 25, 1914. During Filippo Tommaso Marinetti's visit to Russia in 1914, he was very impressed with her work. Of all of the Russian Cubo-Futurists, Rozanova's work most closely upholds the ideals of Italian Futurism. Rozanova later traveled to Moscow to try to establish joint projects between the two groups these negotiations proved to be unsuccessful. This exhibition was the first appearance of the Donkey's Tail, a Moscow-based artistic group led by Mikhail Larionov. She exhibited two works, Portrait and Still-Life at the next Soyuz Molodyozhi exhibition in January 1912. She moved to Saint Petersburg in 1912, and briefly studied at the art school of Elizabeta Zvantseva, which housed many Russian art nouveau artists. Two of her canvases, Nature-morte and The Cafe debuted at the second Soyuz Molodyozhi exhibition in St. She joined Soyuz Molodyozhi (Union of Youth) in 1911. From 1907 to 1910, fellow drawing and painting students studying in these private studios included Lyubov Popova, Nadezhda Udaltsova, Aleksei Kruchenykh, and Serge Charchoune. After this, she trained in the private studio of Konstantin Yuon. She audited courses at the Stroganov School of Applied Art in 1907, but was not accepted for admission. After arriving in Moscow, she attended the Bolshakov Art School, where she worked under Nikolai Ulyanov and sculptor Andrey Matveev. She graduated from the Vladimir Women's Gymnasium in 1904 and moved to Moscow. She was the family's fifth child she had two sisters, Anna and Alevtina, and two brothers, Anatolii and Vladimir. Her father, Vladimir Rozanov, was a district police officer and her mother, Elizaveta Rozanova, was the daughter of an Orthodox priest. Olga Rozanova was born in Melenki, a small town near Vladimir. Art (2) 9th century B.C.Olga Vladimirovna Rozanova (also spelled Rosanova, Russian: Ольга Владимировна Розанова) (22 June 1886 – 7 November 1918, Moscow) was a Russian avant-garde artist in the styles of Suprematism, Neo-Primitivism, and Cubo-Futurism. Art (3) 7th centry Art (1) 7th century B.C. Art (2) 15th century Art (129) 16th century Art (318) 17th century Art (230) 18th century Art (157) 19th century Art (1760) 1st-century BC Art (2) 20th century Art (4350) 21st Century Art (2626) 2nd century Art (1) 2nd Century BC Art (1) 3nd Century Art (1) 4th century BC Art (3) 5th century BC Art (1) 6th century B.C. 12th century Art (2) 13th Century Art (5) 14th Century Art (17) 14th century B.C.
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